Back to Blog Vatsal Dave playing sitar in a yellow kurta with Riddhish Vora on tabla, under the 31st Sangeet Sankalp Saptah banner of Saptak School of Music, Ahmedabad

On stage at the 31st Sangeet Sankalp Saptah, with Riddhish Vora on tabla.

In Photos: 31st Sangeet Sankalp Saptah | Saptak Festival 2026

Some evenings stay with you long after the last note. Saturday, September 26, 2026 was one of them. I had the joy of performing at the 31st Sangeet Sankalp Saptah, organized by Saptak School of Music (Estd. 1980), at Lions Hall in Mithakhali, Ahmedabad, as part of this year's festival, which ran from 25 September to 4 October. The hall was packed, and I'm still carrying the warmth of that audience with me.

Saptak kindly shared these photographs from the evening, so here is the concert as it unfolded, with Riddhish Vora on tabla beside me.

View from the back of the hall over the audience, with a video camera on a tripod and the sitar and tabla duo on stage beneath the Saptak banner
From the back of the hall: the audience, the video camera, and the stage beneath the festival banner.

Raga Yamani

I opened with Raga Yamani, a raga composed by the great Ustad Vilayat Khan himself. Playing his creation on a stage like this always feels like an act of gratitude. (I wrote more about the raga's story in my earlier post from this concert.)

Riddhish Vora in a blue kurta playing tabla beside Vatsal Dave on sitar, with the festival dates 25th September to 04th October 2026 on the banner behind them
Riddhish Vora on tabla and me on sitar, with the festival dates on the banner behind us.

If you're new to Hindustani classical music, here's the journey the raga took that night:

Alap: a slow, unmetered opening with no tabla. Phrase by phrase, the raga reveals its notes and its mood.

Jod: a gentle, steady pulse enters, and the melody starts to move and gather momentum, still without tabla.

Close-up of Vatsal Dave playing sitar into a microphone, eyes lowered to the frets, with sitar and tabla artwork on the backdrop
Eyes on the frets.

Vilambit gat: the tabla joins for a slow composition in Teentaal, a rhythmic cycle of 16 beats. The gat is a fixed melody we keep returning to, with improvisation woven around it, and sitar and tabla meeting again on sam, the first beat of the cycle.

Vatsal Dave playing sitar beneath the festival banner reading 04th October 2026, with sitar and tabla artwork behind him
Beneath the festival banner.
Vatsal Dave playing sitar and looking out toward the hall
Looking out to the hall, mid-phrase.

Drut gat: a second composition, also in Teentaal, at a much faster tempo. This is where the conversation with the tabla really sparkles.

Jhala: the finale. Rapid strokes on the drone strings, interlaced with the melody, build the raga to its climax.

Close view of Vatsal Dave with head bowed over the sitar while playing
Head bowed over the strings.
Side view of Vatsal Dave seated on stage playing sitar, with a microphone on a boom stand
A side view from the edge of the stage.

A Dhun in Mishra Maand

To close, I played a short dhun, a light, song-like piece, in Mishra Maand. Maand has its roots in the folk music of Rajasthan, and mishra means "mixed," which allows a little freedom to bring in notes from outside the raga. After the depth of Yamani, it was a sweet way to end the evening.

Side view of the stage with Riddhish Vora playing tabla on the left and Vatsal Dave playing sitar on the right, part of the Saptak banner visible
Riddhish and me, seen from the side of the stage.

Watch & Listen

The Raga Yamani clips are already out: watch them in Live at Saptak — An Evening of Raga Yamani in Ahmedabad and on my YouTube channel, @sitar_bug. The full-length concert video is coming in the next few weeks, so subscribe and you won't miss it.

Riddhish Vora on tabla and Vatsal Dave on sitar performing together under the Saptak School of Music logo and festival dates
Sitar and tabla together under the Saptak banner.

Thank You

My heartfelt thanks to Saptak School of Music for the invitation and for these photographs, to Riddhish Vora for his wonderful tabla, and to everyone who filled the hall that evening.

Vatsal Dave smiling and looking to the side between pieces, the sitar resting across the floor in front of him
A smile between pieces, the sitar resting in front of me.

Photos courtesy of Saptak School of Music.

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